' Rainy Day Women #12 & 35.' 'Sad Eyed Lady of the Lowlands.' 'Absolutely Sweet Marie. Punch lines occur as frequently as romantic declarations, all delivered with salient references, traditional parallels, and elusive interpretations on par with those of Shakespeare. The album completed the trilogy of rock albums that Dylan recorded in 19 and critics often rank Blonde on Blonde as one of the greatest albums of all time. Then there's Dylan's inventive phrasing, his manipulation of pitch and locution, helping the narratives to take on epic, inchoate, and cryptic meanings that continue to be deciphered to this day. Blonde on Blonde is the seventh studio album by American singer-songwriter Bob Dylan, released on Columbia Records. vibe reflected in the nocturnal aura, woozy optimism, inversion of intervals, and spiritual soulfulness of the playing.Р”Р„s for the tunes? Chapters of books and lengthy theses are dedicated to the sheer conscious-altering power, mythical weight, character cast, and convention-obscuring magnetism of the lyrics РІР‚вЂњ to say nothing of the sophisticated albeit pure playing within, as arrangements touch upon gospel, R&B, pop, traditional and contemporary blues, vaudeville, folk, and more. A majority of songs were recorded long after midnight, the post-A.M. Evokes Greenwich VillageР“СћР’В¦ Published by Bob Dylan Words and.

The Bard sweated over lyrics, demanded his band get the exact sounds he heard in his head, and limited most takes to a handful at most. 1966 Song Book pp.48, 9' by 12', Photograph of Bob Dylan on covers. The cover of Bob DylanРІР‚в„ўs 1966 opus Blonde on Blonde, which featured a distinctive blurry headshot of the singer in a black and. Dylan, frustrated with how initial attempts fared in New York, relocating to Tennessee and pairing with Nashville's top session players as well as members of what would become the Band, feverishly chasing perfectionism while also arriving at an on-the-fly feel that remains a reference point for recorded music. 134 ItРІР‚в„ўs regarded as one of the most iconic album sleeves of all time.

The story of Blonde on Blonde is almost as compelling as the music within. The secret to its inimitable aural character partially stems from Dylan's request in Nashville to producer Bob Johnston to remove the baffles from the studio room, allowing the musicians to interact as well as the music to assume a more organic quality that drifts from one microphone to another.

Forever prized for a unique sound, Blonde on Blonde is to music, production, prose, and performance as what hydrogen is to water. Blonde on Blonde: A double album that transcends time, defies space, suspends reality, and looks through the human soul and tells the listener characteristics about themselves they didn't know.

Bob dylan blonde on blonde album covers